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Tom Holland and Zendaya fuel record-breaking box office weekend with Spider-Man and The Odyssey

Zendaya and Tom Holland in Spider-Man: Brand New Day.
Zendaya and Tom Holland in Spider-Man: Brand New Day. Photo by Jay Maidment/Columbia/Sony Pictures

Tom Holland and Zendaya have become one of Hollywood’s most bankable on-screen and off-screen partnerships, helping power what industry analysts describe as the biggest domestic box office weekend in history. Their latest releases — Spider-Man: Brand New Day and Christopher Nolan’s The Odyssey — dominated theaters simultaneously, reinforcing the couple’s growing influence among younger moviegoers and signaling continued momentum in the global cinema industry’s post-pandemic recovery.

The unprecedented weekend was driven by two blockbuster productions with vastly different stories but one shared connection: the married stars at the center of both films. While Spider-Man: Brand New Day revisits one of cinema’s most recognizable superheroes, The Odyssey brings Homer’s ancient Greek epic to modern audiences through Nolan’s signature large-scale filmmaking.

The pairing has delighted fans who have embraced the nickname “Tomdaya,” a portmanteau that has followed Holland and Zendaya since they first met during casting for Spider-Man: Homecoming in 2017. Nearly a decade later, enthusiasm surrounding the couple remains as strong as ever, translating into remarkable ticket sales across multiple franchises.

Spider-Man: Brand New Day delivered the most significant commercial impact of the weekend, earning approximately $360 million at the domestic box office and setting a new opening weekend record, surpassing Avengers: Endgame‘s previous benchmark of $357 million, without adjusting for inflation.

The film marks Holland and Zendaya’s fourth Spider-Man project together and their first return to the franchise since the conclusion of the “Home” trilogy in 2021. That same year, the pair publicly confirmed their relationship, further strengthening public interest in their collaborations.

Rather than relying solely on large-scale visual effects, the newest Spider-Man installment has been praised for emphasizing emotional storytelling alongside superhero action, a balance that appears to have resonated strongly with audiences.

According to Sony, younger moviegoers were the driving force behind the film’s exceptional debut. Nearly two-thirds of ticket buyers were between 18 and 34 years old, while almost half were younger than 25, underscoring Generation Z’s growing importance to theatrical releases.

Entertainment researcher Greg Durkin, founder of Enact Insight, said the film appealed broadly across demographics while generating particularly strong enthusiasm among younger audiences. Casting choices, he noted, played a significant role in attracting Generation Z viewers.

The addition of actor Sadie Sink, whose popularity surged through Netflix’s Stranger Things, also strengthened the film’s appeal among younger fans already familiar with her work.

While Spider-Man dominated the superhero market, The Odyssey continued building momentum as one of the year’s most ambitious cinematic projects.

Directed by Christopher Nolan, the adaptation features Holland as Telemachus, the determined son of Odysseus, while Zendaya portrays the goddess Athena, whose guidance shapes much of the legendary hero’s journey home after the Trojan War.

Matt Damon and Zendaya in The Odyssey.
Matt Damon and Zendaya in The Odyssey. Photo by Melinda Sue Gordon/Universal Pictures

Although Zendaya’s screen time is more limited than Holland’s, critics and audiences have highlighted her performance as one of the film’s memorable supporting roles.

Featuring an ensemble cast that includes Matt Damon, Anne Hathaway and Robert Pattinson, The Odyssey has distinguished itself not only through its cast but also through its technical achievements. Nolan’s production became the first feature film shot entirely with IMAX cameras, encouraging movie enthusiasts to travel considerable distances to experience the film in premium theaters.

The epic earned roughly $124 million during its domestic opening and has continued climbing toward the $1 billion global milestone alongside Spider-Man: Brand New Day.

The simultaneous success of both productions has provided another encouraging sign for an industry still rebuilding theatrical attendance following the COVID-19 pandemic.

Analysts increasingly point to younger audiences as the primary drivers of cinema’s recovery, with Generation Z showing continued willingness to attend theaters for major event films featuring popular stars or established franchises.

Zendaya’s successful year extends beyond the two blockbusters. She also stars in The Drama, an A24 production centered on a woman whose upcoming wedding is disrupted by a long-hidden teenage secret.

According to the studio, more than 80% of the film’s audience has been younger than 35, further reinforcing Zendaya’s strong appeal among younger viewers across multiple genres.

Robert Pattinson, who appears in both The Odyssey and The Drama, has jokingly described himself as a member of Generation Z despite being 40, reflecting the lighthearted online culture that continues surrounding many of today’s biggest film stars.

Matt Damon and Zendaya in The Odyssey.
Matt Damon and Zendaya in The Odyssey. Photo by Melinda Sue Gordon/Universal Pictures

Zendaya’s busy schedule is set to continue later this year when she reunites with Pattinson in Dune: Part Three, directed by Denis Villeneuve. The previous two installments collectively earned more than $1 billion worldwide, creating high expectations for the franchise’s next chapter.

The film is scheduled to open on Dec. 18, the same day as Marvel Studios’ Avengers: Doomsday, setting up another major showdown at the global box office. Fans have already dubbed the simultaneous release “Dunesday,” echoing the viral “Barbenheimer” phenomenon that energized movie theaters in 2023.

Although Holland’s Spider-Man has not officially been announced as part of the Avengers: Doomsday cast, speculation continues that the character could make a surprise appearance or feature in a post-credits scene. Such a move would likely generate another wave of excitement among Marvel fans and further strengthen the commercial momentum surrounding Holland and Zendaya.

As both Spider-Man: Brand New Day and The Odyssey continue their theatrical runs, the success of the two films illustrates not only the enduring popularity of blockbuster storytelling but also the growing influence of star power in an era increasingly shaped by younger audiences. For Hollywood studios searching for reliable box office draws, the combination of Holland and Zendaya has become one of the industry’s most valuable assets.

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Prabowo orders mining firms to fulfill downstream processing commitments

Indonesia's Energy and Mineral Resources Minister Bahlil Lahadalia speaks to reporters after a coordination meeting on new natural resource export policies at the Parliament complex in Jakarta.
Indonesia’s Energy and Mineral Resources Minister Bahlil Lahadalia speaks to reporters after a coordination meeting on new policies governing the export of natural resources at the Parliament complex in Senayan, Jakarta, on June 8, 2026. Photo by Rivan Awal Lingga/Antara

President Prabowo Subianto has instructed mining companies holding Special Mining Business Permits (IUPK) to fully comply with their downstream processing obligations, reaffirming his administration’s commitment to expanding Indonesia’s value-added mineral industry while warning that companies failing to meet their commitments could face government action.

The directive was delivered during a limited cabinet meeting at the Presidential Palace in Jakarta on Tuesday, according to Energy and Mineral Resources Minister Bahlil Lahadalia. The meeting was also attended by Aris Marsudiyanto, head of the Agency for Development Control and Special Investigation (Bappisus), and Dony Oskaria, head of the State-Owned Enterprises Agency (BP BUMN) and chief operating officer of Danantara Indonesia.

Speaking after the meeting, Bahlil said he briefed the president on the progress of downstream industrialization programs involving several domestic mining companies whose licenses had been extended from Coal Mining Concession Work Agreements (PKP2B) into Special Mining Business Permits.

Those companies, he explained, received permit extensions on the condition that they invest in downstream processing projects designed to increase the value of Indonesia’s natural resources before export.

“I reported to the president on the downstream processing programs of several national companies that received permit extensions from PKP2B to IUPK, one of whose obligations is to carry out downstream processing,” Bahlil said.

According to the minister, Prabowo emphasized that these commitments must be implemented strictly in accordance with existing regulations.

“The president instructed that these obligations must be fully implemented in line with the law,” Bahlil said. “If there are companies that fail to comply, appropriate and measurable steps must immediately be taken so they fulfill their obligations in accordance with Article 33 of the 1945 Constitution.”

Article 33 of Indonesia’s Constitution establishes that the country’s natural resources must be managed by the state and utilized for the greatest benefit of the Indonesian people. The provision has long served as the constitutional foundation for government policies promoting resource nationalism and domestic industrial development.

Downstream processing has become one of the flagship policies pursued by successive Indonesian administrations, particularly in the mining sector. The strategy aims to reduce reliance on exports of raw commodities by encouraging companies to process minerals domestically, creating higher-value products, attracting investment and generating more employment.

Indonesia has introduced a series of export restrictions on unprocessed minerals in recent years as part of that strategy, encouraging investment in smelters, refineries and other processing facilities across the country.

The discussion at Tuesday’s meeting extended beyond mining policy to include energy security and developments in global oil markets.

Bahlil said Prabowo also directed the Ministry of Energy and Mineral Resources to work closely with state electricity company PT PLN (Persero) to resolve power outages affecting several areas in Kalimantan.

“We acknowledge that there are still power outages in several locations, particularly in Kalimantan,” Bahlil said. “The president instructed me to immediately take concrete and measurable steps together with PLN so the problem can be resolved properly.”

The minister stressed that the outages were not caused by insufficient electricity supply or fuel shortages but were instead linked to maintenance work being carried out by the utility.

“Based on information from PLN, the issue is related to maintenance,” Bahlil said. “There is no problem with energy supply.”

The government has not disclosed how long the maintenance-related disruptions are expected to continue, but officials said efforts are underway to restore reliable electricity service across the affected areas.

The meeting also reviewed recent movements in global crude oil prices, which have remained an important consideration for Indonesia’s energy policy and fuel pricing decisions.

According to Bahlil, Prabowo instructed the government to keep subsidized fuel prices unchanged despite fluctuations in international oil markets, reaffirming the administration’s commitment to protecting household purchasing power and limiting inflationary pressures.

“The president instructed that subsidized fuel prices must not be increased,” Bahlil said.

At the same time, the government will continue monitoring global crude prices when determining prices for non-subsidized fuels.

Bahlil indicated that if international benchmark prices continue to decline, the government may consider adjusting retail prices for non-subsidized fuel products in line with market conditions.

“If the global Indonesian Crude Price declines, then non-subsidized fuel prices can also be considered for adjustment according to market prices,” he said. “If prices go down, then they should go down. They should not be increased.”

The remarks underscore the administration’s effort to balance fiscal discipline with affordability as Indonesia navigates volatile global energy markets while continuing to promote industrialization through downstream investment.

Prabowo has repeatedly identified downstream processing as a cornerstone of his economic agenda, arguing that increasing domestic processing capacity will strengthen Indonesia’s industrial base, reduce dependence on commodity exports and create greater long-term value from the country’s abundant natural resources.

Tuesday’s directives suggest the government intends to tighten oversight of companies benefiting from special mining permits while maintaining support for energy affordability through stable subsidized fuel prices and improved electricity reliability. Together, the measures reflect the administration’s broader strategy of combining industrial development, energy security and resource management as central pillars of Indonesia’s economic policy.

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Aung San Suu Kyi meets Red Cross delegation in first confirmed outside contact since coup

Myanmar's detained former leader Aung San Suu Kyi greets ICRC resident representative Arnaude de Baecque during a meeting in Naypyidaw, Myanmar.
Myanmar’s detained former leader Aung San Suu Kyi greets Arnaude de Baecque, the International Committee of the Red Cross (ICRC) resident representative and head of delegation in Myanmar, during a meeting in Naypyidaw on Aug. 3, 2026. Photo by Khine Khine Soe/Reuters

Myanmar’s military government has allowed detained former leader Aung San Suu Kyi to meet with a delegation from the International Committee of the Red Cross (ICRC), marking her first confirmed contact with an independent outside organization since the military seized power more than five years ago. The meeting has renewed international attention on the Nobel Peace Prize laureate’s condition and fueled speculation that the junta may be preparing to soften its stance toward the country’s most prominent political prisoner.

Photographs released by Myanmar’s military authorities showed Suu Kyi appearing relaxed and in good physical condition while meeting members of the ICRC delegation. The images represent the first independently identifiable contact between the 81-year-old democracy icon and an external organization since she was overthrown in the military coup of February 2021.

The government provided no details about Suu Kyi’s health, the duration of the meeting or the subjects discussed. Nevertheless, the rare encounter marks a significant departure from years of strict isolation during which even her lawyers and family members were unable to communicate with her.

Suu Kyi was detained hours after the military, led by Senior Gen. Min Aung Hlaing, overthrew her democratically elected government, alleging widespread fraud in the 2020 general election without presenting evidence accepted by independent observers. The coup plunged Myanmar into a prolonged civil conflict that continues to destabilize the country.

Following the takeover, Suu Kyi faced a series of criminal prosecutions ranging from corruption and election-related offenses to violations of official secrets laws. Courts controlled by the military eventually sentenced her to a combined 33 years in prison, although subsequent pardons and sentence reductions lowered the total prison term.

In May 2026, Myanmar’s military announced that Suu Kyi had been transferred from prison to house arrest. At the time, Min Aung Hlaing said she would serve the remainder of her sentence at a designated residence rather than inside a prison facility.

State media simultaneously released photographs showing Suu Kyi seated inside a residence alongside uniformed officials. Those images were her first public appearance in years and the first recent photographs available since the legal proceedings that followed the coup.

Even so, the photographs failed to convince many observers.

Suu Kyi’s legal team said it had not been informed in advance about her transfer to house arrest and remained unable to independently verify her circumstances. Her lawyers had been denied access to their client for more than three years, while family members had lost all direct contact with her.

Among the most vocal skeptics has been Suu Kyi’s younger son, Kim Aris, who has spent recent years campaigning internationally for proof that his mother remains alive and well.

For months, Aris urged foreign governments, humanitarian organizations and international institutions to pressure Myanmar’s military into allowing independent access to Suu Kyi. He repeatedly argued that official statements issued by the junta were insufficient without outside verification.

The latest meeting with the ICRC therefore represents the first independently confirmed contact with someone outside Myanmar’s government in nearly four years, answering at least part of the questions that have surrounded Suu Kyi’s condition.

Still, important uncertainties remain.

Neither the ICRC nor Myanmar’s authorities have disclosed medical information about Suu Kyi or confirmed where she is currently being held. Likewise, no details have been released regarding whether the former leader will receive additional visits from humanitarian organizations or family members.

The timing of the meeting has drawn particular attention as Myanmar’s military government seeks to improve relations with neighboring countries and reduce its diplomatic isolation after years of international condemnation.

Regional governments and international organizations have consistently called on the junta to halt airstrikes against opposition-controlled areas, begin negotiations aimed at ending the country’s civil war and release political prisoners, including Suu Kyi.

Myanmar’s military leadership has largely rejected those demands.

However, analysts say allowing the ICRC to visit Suu Kyi may signal a limited willingness to respond to at least one aspect of the international pressure campaign without fundamentally altering its grip on power.

Sean Turnell, Suu Kyi’s former economic adviser, believes the recent public appearances and carefully managed disclosures fit into a broader effort by the junta to improve its international image.

“The military regime in Myanmar is currently carrying out an extensive public relations campaign,” Turnell said in an interview with the BBC’s Newsday program.

According to Turnell, the decision to release images of Suu Kyi and permit limited outside access appears intended to portray the military government as a legitimate administration capable of responding to international concerns.

Even so, he cautioned against drawing broad conclusions from the carefully controlled releases.

“I still have many doubts,” Turnell said, noting that independent verification remains extremely limited.

Myanmar’s military has attempted to project greater political stability following elections held earlier in 2026, which authorities described as part of a transition toward civilian rule.

Critics, however, argue that the vote did little to change the country’s political reality because the same military leadership continues to dominate the government while much of the democratic opposition remains imprisoned, exiled or excluded from political participation.

Suu Kyi’s political journey has mirrored Myanmar’s turbulent modern history.

She emerged as the face of the country’s pro-democracy movement after returning from Britain in 1988 to care for her ailing mother. Rather than returning to her family overseas, she became the leader of nationwide protests demanding an end to military rule.

Her peaceful resistance transformed her into one of the world’s most recognizable democracy advocates.

Over the following decades, Suu Kyi spent more than 15 years under house arrest while refusing opportunities to leave Myanmar permanently, knowing she would likely be barred from returning.

When she was awarded the Nobel Peace Prize in 1991, she remained confined inside Myanmar. Her son, Kim Aris, accepted the award on her behalf at the age of 14.

Myanmar’s gradual political opening eventually enabled Suu Kyi’s National League for Democracy to win a landslide election victory in 2015, ushering in the country’s first democratically elected civilian-led government in decades.

Her international reputation, however, suffered a dramatic decline during her years in office.

She faced widespread criticism after personally defending Myanmar before the International Court of Justice against allegations of genocide arising from the military’s operations against the Rohingya Muslim minority in 2017.

Many former supporters accused Suu Kyi of failing to condemn the military’s actions, significantly diminishing the global admiration she had enjoyed during her years as a democracy campaigner.

Within Myanmar, however, Suu Kyi continues to command remarkable public loyalty.

Turnell described her relationship with the Myanmar people as almost spiritual, arguing that years of imprisonment have done little to weaken her influence.

“She has charisma and a connection with the people of Myanmar that is almost spiritual,” Turnell said. “I don’t see that diminishing at all.”

He added that many Myanmar citizens continue to hope simply for her release.

For Kim Aris, the latest developments are another cautious step rather than definitive proof.

When photographs of Suu Kyi under house arrest were first released in May, he questioned whether they reflected her current circumstances, noting that the images could have been taken years earlier.

“I hope this is true,” Aris told the BBC at the time. “But I still haven’t seen real evidence that she has actually been transferred.”

He said he would remain unconvinced until he was allowed to communicate directly with his mother or until independent organizations could verify both her location and health.

Aris has emerged as one of the strongest international voices advocating for his mother’s release after years of avoiding political involvement.

“My mother never wanted me to become involved in politics,” he said in an earlier interview. “But now, after she has been sentenced and the military is clearly not acting reasonably, I think I can say what I want.”

He has repeatedly called for stronger international measures against Myanmar’s military government, including a more effective global arms embargo and increased humanitarian assistance for civilians affected by the country’s conflict.

His campaign has also been deeply personal.

For years, he has attempted to obtain reliable information through Myanmar’s embassy, the British government and humanitarian organizations, including the ICRC, but said those efforts produced few meaningful answers.

His family’s separation from Suu Kyi stretches back decades.

When Suu Kyi returned to Myanmar in 1988, she left behind her husband and two sons in Britain, believing she would care briefly for her sick mother before returning home. Instead, she became the country’s leading democracy activist, a role that permanently altered the course of her life and her family’s future.

Today, despite the carefully managed photographs and the unprecedented ICRC visit, many of the questions surrounding Myanmar’s most famous political prisoner remain unanswered.

The latest meeting provides the strongest independent confirmation in years that Suu Kyi is alive and able to receive visitors. Whether it also signals a broader shift in the junta’s approach—or eventually leads to her release—remains uncertain as Myanmar continues to grapple with conflict, political repression and international pressure.

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Gregorio Paltrinieri questions Seine water quality before European Aquatics Championships

Italian swimmer Gregorio Paltrinieri gives an interview during the 62nd Settecolli International Swimming Championships at Stadio del Nuoto in Rome, Italy.
Italian swimmer Gregorio Paltrinieri speaks with Sky Sport during the 62nd Settecolli International Swimming Championships at Stadio del Nuoto in Rome, Italy, on June 28, 2026. Photo by Andrea Staccioli/Insidefoto/Getty Images

Two years after the Paris Olympics placed the Seine at the center of one of the most ambitious sporting infrastructure projects in recent history, questions over the river’s water quality have resurfaced ahead of the 2026 European Aquatics Championships. This time, the concerns are being led by one of the sport’s most accomplished athletes, Italian Olympic champion Gregorio Paltrinieri, who says elite open water swimmers repeatedly asked organizers to relocate the competition to a safer venue.

Open water events are scheduled to take place from Aug. 4-8 near the Île aux Cygnes, a different stretch of the Seine from the one used during the Paris 2024 Olympic Games. While organizers have emphasized that the course has changed, many athletes remain unconvinced, arguing that the river itself remains the central concern rather than the specific location.

Speaking to Italy’s Corriere della Sera, Paltrinieri said swimmers had spent months lobbying European Aquatics to abandon the Seine altogether in favor of an alternative venue, warning that competing in potentially unsafe water could affect not only the open water races but also athletes who are scheduled to compete later in the pool.

“We asked for the open water races to be moved to another location because we do not trust the river,” Paltrinieri said. “Open water comes before the pool events at these European Championships. If you become ill in the Seine, you might also miss your races in the pool. It is risky.”

The issue carries particular significance because several athletes, including Paltrinieri, are expected to compete across both disciplines during the championships. Any illness contracted during the nearly two-hour open water races could jeopardize medal prospects in subsequent pool events.

The Seine was one of the signature elements of the Paris Olympic legacy project. French authorities invested approximately €1.4 billion to improve the river’s water quality, modernize sewage infrastructure and make the waterway suitable for international competition as well as public recreation.

Despite the unprecedented investment, the lead-up to the Olympic competitions was repeatedly disrupted by unfavorable water-quality readings. Several triathlon familiarization sessions were canceled, the men’s triathlon was postponed by a day and one scheduled open water training session was scrapped after bacteria levels exceeded limits established by World Aquatics.

Olympic organizers ultimately proceeded with both the men’s and women’s 10-kilometer races after test results met the governing body’s required standards on competition days.

Paltrinieri competed extensively during those Games, winning silver in the men’s 1,500-meter freestyle and bronze in the 800 freestyle before finishing ninth in the Olympic 10-kilometer open water race.

His memories of the Seine, however, remain overwhelmingly negative.

“At the Olympics, there were 30 of us in the 10km, and at least 10 ended up in the hospital afterward,” Paltrinieri said. “I was coming off great races in the pool, where I had won silver in the 1,500 and bronze in the 800, but everything about the Seine was absurd.”

While the Italian swimmer’s estimate has not been independently verified, reports following the Paris Olympics documented health concerns among several competitors. Germany’s Olympic Sports Confederation confirmed that three German open water swimmers experienced symptoms including nausea, vomiting and diarrhea after competing, although organizers said no direct link between those illnesses and the Seine had been established.

Those assurances have done little to ease concerns among athletes preparing to return to the river this week.

Although the 2026 championship course has been relocated near the Île aux Cygnes rather than the Pont Alexandre III area used during the Olympics, Paltrinieri argued that changing sections of the same river does not fundamentally resolve the underlying issue.

“It is still the Seine,” he said. “We have seen Parisians get into the water, but they stay there for a few minutes to cool down, perhaps without even putting their heads under. We have to swim in it for an hour and 50 minutes while swallowing foul water.”

According to Paltrinieri, athletes proposed moving the competition to a nearby lake that has previously hosted the French national championships, believing it would offer a safer environment without requiring major logistical changes.

Instead, organizers developed a contingency plan that still relies on another section of the Seine should problems arise with the primary course.

“There is a Plan B, but it is in another part of the Seine, which is a contradiction,” Paltrinieri said.

The Italian veteran said swimmers formally expressed their concerns to European Aquatics through two letters sent during 2026. The correspondence, he said, was signed by many of the sport’s leading competitors, including Olympic and world champions Florian Wellbrock and Kristóf Rasovszky.

“We have fought hard with European Aquatics this year,” Paltrinieri said. “We sent two letters signed by the strongest athletes, from Wellbrock to Rasovszky. The first was sent in January, and the second a few weeks ago.”

European Aquatics has responded by introducing several measures intended to reassure competitors. Following discussions with Rasovszky, who serves on the organization’s Athletes’ Committee, the governing body announced that athletes would be allowed to commission independent water-quality testing, with the governing body covering the costs.

European Aquatics also pledged to establish a task force to review health and safety regulations for future competitions. In addition, officials said athletes would be reimbursed for reasonable medical expenses if qualified medical experts determined that illness resulted directly from participating in official competition or training in the Seine.

For Paltrinieri, however, those measures fail to answer the fundamental question of why athletes are still expected to compete in a venue they have repeatedly challenged.

“They told us that, for our protection, we would have the opportunity to conduct independent water tests,” he said. “And listen to this: medical expenses will be reimbursed if someone contracts an illness.”

The debate surrounding the Seine reflects broader concerns facing international open water swimming. Similar issues have emerged repeatedly in recent years as organizers attempt to stage races in natural environments increasingly affected by pollution, climate change and extreme weather.

The 2023 Open Water World Cup event in Paris was canceled after the Seine failed to meet minimum health standards. During the 2025 World Championships in Singapore, the men’s 10-kilometer race was postponed because of poor water quality, while athletes also competed in water temperatures approaching 31 degrees Celsius. More recently, swimmers reported illnesses following the World Cup stop in Setúbal in June 2026.

Paltrinieri believes the recurring controversies highlight the limited influence athletes continue to have over decisions that directly affect their health and safety.

“Unfortunately, in our sport, athletes still count for too little,” he said. “That is what disappoints me most. I do not like complaining and I would never normally want to create trouble, but sometimes it is the only way to be heard.”

Although he does not serve on the Athletes’ Committee, Paltrinieri remains one of the sport’s most respected figures after more than a decade at the highest level in both pool and open water competition.

“I am not even the athletes’ representative, but they always want me to give my opinion,” he said. “I sincerely hope everything goes well, but we are all genuinely afraid.”

Despite his criticism, Paltrinieri remains optimistic about the future of open water swimming. He believes participation continues to grow but argues that broadcasters have yet to fully capture the tactical complexity that defines races lasting nearly two hours.

Among his proposals is the introduction of tracking technology that would allow television audiences to follow athletes’ movements throughout a race, similar to the graphics used in Formula One or sailing broadcasts.

“There is no shortage of ideas,” he said. “Put a chip on the suit. It could become like Formula 1 or sailing, with a map of the course on the screen showing the athletes’ movements and allowing people to understand their tactical decisions. It would make a race lasting almost two hours much more interesting to watch.”

The 31-year-old has made open water his priority for the 2026 season and indicated there is about a 90% chance he will not compete in the pool events in Paris. Instead, he views the season as an important stage in preparing for the Los Angeles 2028 Olympic Games.

“It is a transition season with the Olympics in mind, so that I can understand what I might be able to do in Los Angeles,” he said. “I have experienced some new situations in training. I have raced very well on some occasions and badly on others, but you are always learning.”

Paltrinieri’s career has already secured a place among Italy’s greatest swimmers. Olympic champion in the 1,500 freestyle at Rio 2016, he later became the first Italian swimmer to win individual medals at three different Olympic Games after claiming silver in the 1,500 freestyle and bronze in the 800 freestyle at Paris 2024.

Yet he says the medals he earned in Tokyo carry even greater personal significance because they came shortly after recovering from mononucleosis.

“A month and a half before Tokyo, I was crying in the shower because I had mononucleosis,” he said. “I could not swim and had no strength, but I won silver and bronze. I enjoyed those two medals more than the Olympic gold.”

As he prepares to return to the Seine, Paltrinieri insists his motivation extends beyond medals. He hopes younger swimmers understand that resilience often matters more than perfection.

“You do not have to be perfect,” he said. “You can make a mistake in a race or during a career, but then you start again and learn your limits. I have never been afraid to compete. I am not afraid of winning, but I am not afraid of making mistakes either.”

Before thoughts turn toward Los Angeles in 2028, however, Paltrinieri faces a familiar challenge. The men’s 10-kilometer race is scheduled for Tuesday morning in the Seine, the same river that continues to divide athletes and organizers despite years of investment and repeated assurances over its safety.

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Five dead after passenger ferry catches fire off East Java as Indonesia verifies missing passengers

An aerial view shows the passenger ferry Mutiara Sentosa 2 engulfed in flames in waters off Madura Island, East Java.
An aerial view shows the passenger ferry Mutiara Sentosa 2 engulfed in flames in waters off Madura Island, East Java, on Aug. 2, 2026. Photo by Frida Perkasa/AFP/Getty Images

Five people were killed after the passenger ferry KMP Mutiara Sentosa 2 caught fire off Indonesia’s East Java province, while authorities continued search, rescue and verification efforts Monday to account for everyone believed to have been on board during the voyage from Surabaya to Makassar.

As of 9:41 a.m. local time Monday, the Surabaya Search and Rescue Office said 229 people had been rescued while five fatalities had been confirmed. Rescue teams were still working to reconcile the official passenger manifest with the number of survivors evacuated by nearby vessels, leaving uncertainty over whether additional passengers remained missing.

According to acting Sumenep Police public information chief Ipda Ardan, the ferry was carrying 271 people based on the official manifest, including 232 passengers and 39 crew members.

The vessel caught fire Sunday morning while sailing through waters off Sumenep Regency in East Java. The emergency quickly escalated into a large-scale maritime rescue operation involving government agencies, commercial ships and tugboats operating in the area.

Earlier Sunday, Surabaya SAR operations chief Didit Arie Ristandy said dozens of people had yet to be evacuated as rescue efforts continued.

“The evacuation process is still ongoing, and based on the latest information, approximately 40 to 45 passengers had not yet been evacuated,” Didit said.

Transportation Minister Dudy Purwagandhi said the government’s immediate priority was verifying the identities and number of survivors by comparing the ferry company’s official passenger manifest with evacuation records collected from multiple rescue vessels.

“All of the rescue vessels are returning here, and we will compare their data with the company’s passenger manifest to determine whether everyone has been evacuated or whether further search operations are still necessary,” Dudy said.

He explained that the verification process was particularly challenging because several rescue vessels were still traveling to port while experiencing communication difficulties caused by limited signal coverage at sea. Authorities also had to account for passengers who were transferred between vessels during the rescue operation.

The government pledged to complete the verification process carefully to eliminate discrepancies between administrative records and the actual number of people rescued or still unaccounted for.

A rescue worker carries a child who survived the Mutiara Sentosa 2 ferry fire after arriving at Tanjung Perak Port in Surabaya, East Java.
A rescue worker carries a child who survived the fire aboard the Mutiara Sentosa 2 ferry after the vessel was brought to Tanjung Perak Port in Surabaya, East Java, early on Aug. 3, 2026. The ferry caught fire in waters off Madura Island the previous day. Photo by Juni Kriswanto/AFP/Getty Images

According to the Surabaya Search and Rescue Office, the first report of the fire came from the ferry’s captain at approximately 6 a.m. Sunday through the shipping company.

“After that initial report, the captain could no longer be contacted,” Surabaya SAR chief Nanang Sigit said, according to Indonesia’s Antara News Agency.

The rescue agency officially received notification of the emergency at 8:24 a.m. from Tanjung Perak Harbor authorities before immediately coordinating to determine the vessel’s last known position.

At approximately 9:45 a.m., the crew of the cargo vessel Meratus Project 3 reported locating the burning ferry about 19 nautical miles north of Burung Island near Sapudi. However, the cargo ship was unable to approach because it was transporting highly flammable materials.

By the time rescuers established visual contact, much of the ferry’s structure had already been engulfed in flames. Passengers initially gathered on the bridge and bow while waiting for assistance to arrive.

As conditions deteriorated, many people abandoned the vessel by jumping into the sea shortly after 10:20 a.m.

“Several passengers jumped into the water and were rescued by tugboat Hasnur 26 and the vessel British Mentor. Four ships were operating near the scene,” Nanang said in the SAR report.

The Surabaya SAR Office estimated it would take approximately six hours for the state rescue vessel KN SAR 249 Permadi to reach the disaster site because of the distance from its deployment location.

Indonesia’s Ministry of Transportation said the safety of passengers and crew remained the government’s highest priority throughout the operation.

“The safety of passengers and crew members is our primary concern. We continue coordinating with all relevant agencies to ensure the evacuation process proceeds quickly, safely and effectively,” Director General of Sea Transportation Muhammad Masyhud said in a written statement.

The ministry deployed the Coast Guard patrol vessel KN Grantin P.211 to the disaster area, while the Navigation District prepared the state vessel KN Masalembo to provide additional support if operational conditions required further resources.

Evacuation efforts were still underway as authorities continued searching the surrounding waters and identifying rescued passengers.

Family members and relatives wait at Tanjung Perak Port in Surabaya, East Java, for updates on search and rescue efforts after the Mutiara Sentosa 2 ferry fire.
Family members and relatives gather at Tanjung Perak Port in Surabaya, East Java, awaiting news on search and rescue efforts after the passenger ferry Mutiara Sentosa 2 caught fire in waters off Madura Island on Aug. 2, 2026. Photo by Juni Kriswanto/AFP/Getty Images

Coordinating Minister for Infrastructure and Regional Development Agus Harimurti Yudhoyono said the government would immediately launch a formal investigation to determine what caused the fire aboard the ferry.

“The government will immediately begin an investigation because we must know exactly what caused this incident,” Yudhoyono said Monday.

He said Indonesia’s National Transportation Safety Committee would lead the investigation, cautioning that determining the cause would require time and a detailed technical examination.

Yudhoyono added that investigators would evaluate the vessel’s condition, weather conditions and crew preparedness as part of the inquiry. He also reiterated the government’s commitment to accelerating the modernization of Indonesia’s passenger ferry fleet to improve maritime safety standards and strengthen transportation services across the archipelago.

For now, officials said the government’s focus remains on completing rescue operations while ensuring passenger verification is accurate so that every person aboard the ferry is accounted for and families receive reliable information as the emergency response continues.

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Kalle Rovanperä? No — Sami Pajari claims emotional first home victory at Rally Finland

Finland's Sami Pajari drives a Toyota GR Yaris Rally1 during Rally Finland, Round 10 of the 2026 FIA World Rally Championship, in Jyväskylä, Finland.
Finland’s Sami Pajari, driving for Toyota Gazoo Racing WRT, competes in his Toyota GR Yaris Rally1 during Rally Finland, Round 10 of the 2026 FIA World Rally Championship, in Jyväskylä, Finland, on July 30, 2026. Photo by McKlein/LAT Images

Sami Pajari delivered the biggest victory of his career on Sunday by winning Rally Finland for the first time, delighting home fans and leading Toyota Gazoo Racing to a commanding one-two-three finish in one of the most prestigious events on the FIA World Rally Championship calendar.

The 24-year-old Finn entered the final day holding a comfortable 46.4-second advantage and resisted any temptation to chase additional bonus points during the closing stages. Instead, Pajari managed the rally with composure, safely navigating the final two passes of the 30.02-kilometer Himos-Jämsä stage to secure victory by 26.7 seconds over Toyota teammate Oliver Solberg.

His measured approach paid off as he crossed the finish line to claim the most emotional win of his young career. At the conclusion of the Wolf Power Stage, Pajari was greeted by Finnish rally legend Ari Vatanen, adding another memorable moment to an already unforgettable day for the home favorite.

“I don’t even know what to say,” Pajari said after securing victory. “Winning in Estonia was a big deal, but a home victory is always something very special.”

“After a truly crazy rally, we’ve done it. A huge thank you, above all, to the team, but also to all the fans for their fantastic support. It’s just incredible. Kiitos paljon — thank you very much to everyone.”

The triumph represented far more than another victory on the calendar. It lifted Pajari to second place in the World Rally Championship standings behind teammate Elfyn Evans and marked Finland’s 200th victory in World Rally Championship history. He also became the 14th Finnish driver to win Rally Finland during the modern WRC era, further cementing the country’s unmatched legacy in the sport.

Toyota’s performance was equally historic. With Evans finishing third behind Solberg, the Japanese manufacturer completed a dominant podium sweep while recording its eighth Rally Finland victory in the last nine editions. The result also gave Toyota its 11th overall victory at the event during the modern WRC era, moving one win clear of Ford as the most successful manufacturer in Rally Finland history.

Pajari’s path to victory had not been straightforward. He inherited the overall lead on Saturday afternoon after eight-time world champion Sébastien Ogier crashed heavily on the Västilä special stage while leading the rally. Ogier and co-driver Julien Ingrassia escaped the accident without assistance before precautionary medical examinations confirmed neither had suffered injuries.

The incident dramatically reshaped the battle for victory, handing Pajari the opportunity to control the closing stages. Rather than taking unnecessary risks, the young Finn concentrated on consistency, demonstrating the maturity expected of a championship contender.

Solberg once again underlined his remarkable speed despite competing under difficult physical conditions. The Swede won Sunday’s opening special stage and topped the Super Sunday classification even though he struggled with severe back pain caused by a heavy landing earlier in the rally. After receiving painkillers before the final stage, Solberg still produced a time nearly identical to Evans on the Wolf Power Stage.

Second place matched Solberg’s result from Rally Estonia, where he and Pajari also occupied the top two positions. Their growing consistency has strengthened Toyota’s position at the top of both the drivers’ and manufacturers’ championships.

Evans completed an extraordinary recovery drive to finish third after what had appeared to be a race-ending accident on Saturday. The Welsh driver rolled his GR Yaris Rally1 during the penultimate day, but spectators helped push the damaged car back onto the road before Toyota mechanics carried out extensive repairs during the midday service.

The rebuilt car proved competitive immediately. Evans responded by setting the fastest time on the Wolf Power Stage, edging Solberg by just 0.025 seconds to collect valuable championship points despite finishing 1 minute, 19.5 seconds behind Pajari overall.

Britain's Elfyn Evans drives a Toyota GR Yaris Rally1 during Rally Finland, Round 10 of the 2026 FIA World Rally Championship, in Jyväskylä, Finland.
British driver Elfyn Evans powers his Toyota GR Yaris Rally1 through the stages of Rally Finland during Round 10 of the 2026 FIA World Rally Championship in Jyväskylä, Finland, on Aug. 2, 2026. Photo by McKlein/LAT Images

“It was a surreal situation,” Evans said. “Above all, we owe a debt of gratitude to our technicians, who repaired the car yesterday at lunchtime. We always know we can rely on these lads.”

The third-place finish allowed Evans to extend his championship lead to 30 points over Pajari. Solberg and Toyota teammate Takamoto Katsuta now occupy third and fourth in the standings, giving Toyota four drivers inside the championship’s leading positions.

Hyundai endured another frustrating weekend despite flashes of impressive pace. Adrien Fourmaux finished fourth after producing one of the strongest performances on the final day, but torrential rain on Friday had already compromised his chances of challenging for victory. The Frenchman ultimately crossed the finish line 16.4 seconds behind Evans.

Reigning world champion Thierry Neuville climbed to fifth after Katsuta suffered heartbreak on the final stage. The Japanese driver struck a tree during the Wolf Power Stage, severely damaging the front of his Toyota. Although Katsuta managed to reach the finish, the incident dropped him from a potential top-five result to sixth overall.

Josh McErlean delivered another encouraging performance for M-Sport Ford by finishing seventh, while Toyota team principal Jari-Matti Latvala rounded out the top eight overall and claimed victory in the RC2 category.

In WRC2, Estonia’s Robert Virves continued his outstanding season by collecting his fourth victory in as many starts. Virves inherited the class win after Teemu Suninen received a 30-second time penalty, further strengthening his championship campaign.

The championship now pauses for its annual summer break before teams reconvene in South America for Rally del Paraguay, scheduled for Aug. 27-30. With momentum firmly on Toyota’s side and Pajari emerging as a genuine title contender following consecutive breakthrough performances, the battle for the 2026 World Rally Championship promises to intensify during the season’s final stretch.

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Hong Kong film industry bids farewell to producer Nansun Shi at emotional memorial

Director Tsui Hark and actress Brigitte Lin arrive for film producer Nansun Shi's memorial service in Hong Kong, China.
Director Tsui Hark and actress Brigitte Lin arrive for film producer Nansun Shi’s memorial service in Hong Kong, China, on Aug. 2, 2026. Photo by VCG/Getty Images

HONG KONG — More than 100 leading figures from the film industries of Hong Kong, mainland China and Taiwan gathered Sunday to pay their final respects to veteran producer and media executive Nansun Shi, whose decades of work helped define modern Chinese-language cinema and whose influence extended far beyond the films she produced.

The memorial service, titled “Encore Nansun,” was held at the Grand Hyatt Hong Kong, where colleagues, longtime collaborators and close friends celebrated the life of one of the industry’s most respected producers. Blue and white floral arrangements filled the venue, surrounding a black-and-white portrait of Shi that became the emotional centerpiece of the farewell ceremony.

Shi died last month at the age of 75, leaving behind a legacy that transformed Hong Kong’s film industry through her work as a producer, executive and mentor. Throughout a career spanning decades, she became known not only for backing critically acclaimed productions but also for nurturing generations of filmmakers and creative talent across Greater China.

Among those attending the memorial were some of the biggest names in Chinese-language cinema, including Brigitte Lin, Tsui Hark, Tony Leung Chiu-wai, Carina Lau Kar-ling and Chow Yun-fat. Their presence reflected Shi’s longstanding relationships within the industry and the profound respect she commanded among actors, directors and producers alike.

The gathering also drew prominent filmmakers and entertainers from mainland China and Taiwan, underscoring Shi’s influence beyond Hong Kong. Actress Zhou Xun, Li Bingbing, acclaimed director Jia Zhangke, filmmaker Feng Xiaogang, Taiwanese television host Kevin Tsai and actress Gwei Lun-mei were among those who traveled to Hong Kong to honor her memory.

For many attendees, the ceremony was as much a celebration of Shi’s character as it was of her professional accomplishments.

Lin, who shared a friendship with Shi spanning more than four decades, remembered her as an exceptional filmmaker whose contributions to Hong Kong cinema could never be fully measured by awards or commercial success alone.

She also revealed intimate details from Shi’s final days, saying she and Tsui Hark took turns remaining by her bedside around the clock to ensure she was never alone.

According to Lin, Shi “left peacefully surrounded by love,” a remark that resonated deeply throughout the memorial service.

Tsui Hark, Shi’s longtime creative partner and one of Hong Kong cinema’s most celebrated directors, also paid tribute during the ceremony. He thanked friends and colleagues who helped organize the memorial and noted that an electronic commemorative album had been prepared in Shi’s honor, featuring music by renowned artists including Wu Bai, Lo Ta-yu and Lowell Lo Kwun-ting.

The musical tribute reflected Shi’s lifelong appreciation for storytelling and the arts, extending beyond film into the broader cultural landscape that shaped generations of audiences across Asia.

Kevin Tsai also remembered the lasting impact Shi had on his own career.

Television host Kevin Tsai arrives for film producer Nansun Shi's memorial service in Hong Kong, China.
Television host Kevin Tsai arrives for film producer Nansun Shi’s memorial service in Hong Kong, China, on Aug. 2, 2026. Photo by VCG/Getty Images

Arriving early at the memorial, the Taiwanese television host recalled that Shi had given him one of his earliest professional opportunities after he graduated from university, helping launch his career as a television presenter.

Beyond career guidance, Tsai shared a more personal memory that illustrated Shi’s warmth and attention to detail. He recalled that she frequently reminded him to stand upright instead of slouching, advice he said remained with him long after their conversations.

The memorial also featured a poignant appearance by veteran martial arts star Sammo Hung Kam-po, who arrived in a wheelchair dressed in black and wearing a face mask. Despite his limited mobility, Hung acknowledged reporters waiting outside the venue with a wave before entering to pay his respects.

Throughout the ceremony, friends and colleagues reflected on Shi’s unique ability to combine creative vision with business leadership during a transformative era for Hong Kong cinema.

As both a producer and media executive, Shi played a pivotal role in bringing ambitious projects to the screen while supporting filmmakers whose work helped elevate Chinese-language cinema onto the international stage. Her influence extended across commercial blockbusters and critically acclaimed productions, making her one of the industry’s most influential behind-the-scenes figures.

Many who worked with Shi described her as a mentor whose encouragement and guidance shaped countless careers. Her willingness to invest in emerging talent earned admiration from younger generations of filmmakers who viewed her as both a producer and an advocate for creative excellence.

As the memorial concluded, the atmosphere remained deeply emotional.

Many attendees left the venue wiping away tears, while others paused to offer one final glance at Shi’s portrait before departing. For an industry that has experienced profound changes over the past several decades, the gathering represented not only a farewell to an accomplished producer but also to a generation of leaders who helped establish Hong Kong as one of the world’s most influential filmmaking centers.

The ceremony served as a reminder that Shi’s legacy will endure not only through the films she helped create, but also through the countless artists, producers and storytellers whose careers she shaped. As colleagues reflected on her life, the message echoed throughout the memorial: while one of Chinese-language cinema’s most influential voices has fallen silent, her impact on the industry will continue for generations to come.

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Jennie makes solo Lollapalooza debut with unreleased songs and career-defining performance

Jennie performs live onstage during the Lollapalooza music festival at Grant Park in Chicago, Illinois.
Jennie performs onstage during the Lollapalooza music festival at Grant Park in Chicago, Illinois, on Aug. 1, 2026. Photo by Erika Goldring/WireImage

CHICAGO — Jennie reached another milestone in her solo career on Sunday, headlining Lollapalooza for the first time with a high-energy performance that blended songs from her debut album Ruby, unreleased material and an elaborate stage production before thousands of fans at Grant Park.

Standing before a packed Bud Light Stage, Jennie opened the performance with an emotional message that reflected the significance of the moment.

“To see you guys in front of my eyes, it feels like a dream,” she told the audience as cheers echoed across Grant Park.

Although Jennie is no stranger to the Lollapalooza stage, Sunday represented a milestone unlike any of her previous appearances. She previously performed at the festival alongside BLACKPINK in 2019 and again in 2023, but this marked her first appearance as a solo headliner, underscoring her evolution from one member of one of K-pop’s biggest groups into an artist capable of carrying one of the festival’s premier stages on her own.

The anticipation surrounding the performance had been building throughout the day as thousands of fans gathered hours before showtime. Across the world, countless BLINKs followed the concert through livestreams and organized watch parties, turning the performance into a global event beyond Chicago.

Jennie wasted little time establishing the atmosphere.

As towering red curtains appeared to burst into flames through dramatic visual effects, she emerged with “Filter,” immediately commanding the massive stage with confident vocals and commanding choreography. The cinematic opening seamlessly transitioned into “Damn Right” before accelerating into “Mantra,” setting an energetic pace that rarely slowed throughout the hour-long set.

Backed by a powerful live band, Jennie showcased a performance that balanced polished choreography with moments of spontaneity. Her dancers frequently shifted into freestyle cypher sequences, adding an improvisational element that contrasted with the tightly rehearsed production.

Rather than relying solely on spectacle, Jennie allowed her growing catalog of solo music to shape the concert’s narrative.

Much of the performance drew from Ruby, her debut solo album, highlighting how significantly her artistic identity has expanded beyond BLACKPINK’s signature sound.

Songs such as “Start a War” demonstrated her willingness to explore darker, more aggressive production, while “Handlebars” quickly evolved into one of the evening’s biggest audience singalongs as thousands of fans echoed every lyric back toward the stage.

Between performances, large video screens displayed visuals from the music videos Jennie released over the past year, offering a retrospective of a period that has transformed her from an established K-pop idol into one of the industry’s most prominent solo performers.

Then came the night’s biggest surprise.

Addressing the crowd, Jennie revealed she had prepared something special.

“I have some new songs that I haven’t released,” she announced, immediately triggering loud cheers throughout the festival grounds.

The revelation elevated the performance from a festival appearance into an exclusive preview of the next phase of her musical career.

Before unveiling the new material, Jennie continued through several of her recent releases, performing “ZEN,” “ExtraL,” “Dracula” and “Love Hangover (Just Jennie),” each illustrating different aspects of her evolving musical direction.

The set then shifted into previously unheard territory.

Among the unreleased tracks, “Sweet Tooth” emerged as one of the evening’s highlights, combining energetic Jersey club rhythms with elements of U.K. two-step while featuring one of Jennie’s most melodic and playful vocal performances to date. The track embraced a brighter sonic palette without sacrificing the confidence that has become central to her solo identity.

Another new song, “Lock It Down,” explored an entirely different direction, incorporating baile funk-inspired percussion alongside driving synthesizers that transformed the festival grounds into a dance floor.

The unreleased material suggested Jennie continues to broaden her artistic range rather than settling into a single musical formula.

Throughout the concert, she moved comfortably between hip-hop, electronic pop, dance music and contemporary R&B influences, reflecting an increasingly adventurous approach to songwriting and production.

Equally notable was her confidence as a solo festival headliner.

Large-scale festivals often present different challenges from arena concerts because artists must engage audiences that extend well beyond dedicated fan bases.

Jennie appeared comfortable throughout, maintaining control of the enormous stage while balancing choreography, live vocals and direct interactions with the crowd.

Jennie performs onstage during the Lollapalooza music festival at Grant Park in Chicago, Illinois.
Jennie takes the stage during the Lollapalooza music festival at Grant Park in Chicago, Illinois, on Aug. 1, 2026. Photo by Erika Goldring/WireImage

Her charisma remained one of the performance’s defining strengths, allowing quieter moments to feel as compelling as the production-heavy sequences.

The closing stretch brought the concert back to one of her signature solo hits.

Returning to “Like Jennie,” she concluded the performance by thanking fans for their unwavering support before leaving the stage to sustained applause from thousands of festivalgoers.

The performance further cemented Jennie’s growing reputation as one of K-pop’s leading solo artists.

Following her acclaimed headlining appearance at Coachella in 2025, Lollapalooza represented another major international festival where she demonstrated the ability to command one of music’s largest stages independently.

Her evolution reflects a broader trend among K-pop artists increasingly building successful careers beyond their groups while maintaining global fan support.

For Jennie, however, Sunday’s concert felt less like a departure from BLACKPINK than an expansion of her artistic identity.

While the group’s legacy remains inseparable from her career, Ruby and the newly previewed songs illustrated an artist becoming increasingly confident in defining her own musical voice.

By closing the night with unreleased music rather than relying exclusively on familiar hits, Jennie also signaled that her solo journey remains in constant motion.

For the thousands gathered in Chicago—and the millions watching from around the world—the performance offered not only a celebration of what she has already achieved but also a glimpse of what may come next as one of K-pop’s biggest global stars continues to shape the next chapter of her career.

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Greece and Great Britain claim first artistic swimming golds at European Aquatics Championships

Gold medalists Anna Maria Alexandri and Eirini Marina Alexandri of Greece pose after winning the duet free artistic swimming final at the LEN European Aquatics Championships in Saint-Denis, near Paris.
Gold medalists Anna Maria Alexandri and Eirini Marina Alexandri of Greece pose after winning the duet free artistic swimming final at the LEN European Aquatics Championships at the Olympic Aquatics Centre in Saint-Denis, near Paris, on Aug. 1, 2026. Photo by Dimitar Dilkoff/AFP/Getty Images

PARIS — The European Aquatics Championships 2026 artistic swimming competition began in spectacular fashion on Saturday as Greece and Great Britain captured the first gold medals of the championships, highlighting an opening day filled with technical excellence, emotional homecomings and the emergence of a new generation of continental contenders.

The Olympic Aquatics Centre, which hosted the artistic swimming competition during the Paris 2024 Olympic Games, once again became the stage for Europe’s finest synchronized swimmers. Athletes faced one of the busiest schedules of the championships, beginning their day with the duet free preliminary before returning several hours later for the medal-deciding duet technical final.

By the end of an intense opening session, the reigning world champions from Greece and the defending European champion from Great Britain had reaffirmed their status at the top of the sport.

Greece's Anna Maria Alexandri and Eirini Marina Alexandri compete in the duet free artistic swimming final at the LEN European Aquatics Championships in Saint-Denis, near Paris.
Greece’s Anna Maria Alexandri and Eirini Marina Alexandri compete in the duet free artistic swimming final at the LEN European Aquatics Championships at the Olympic Aquatics Centre in Saint-Denis, near Paris, on Aug. 1, 2026. Photo by Sébastien Bozon/AFP/Getty Images

The spotlight belonged to Greek sisters Anna-Maria Alexandri and Eirini Marina Alexandri, who made a triumphant return to the European Championships after a year away from international competition. Performing their acclaimed “Swan Lake” routine, the pair collected 311.4308 points to comfortably secure the continental title.

The victory carried significance well beyond the medal standings.

For more than a decade, the Alexandri triplets built their international careers representing Austria, becoming one of the sport’s most recognizable families while collecting European and world medals. Their decision to switch allegiance back to Greece meant Paris marked their first major championship competing under the Greek flag.

That transition made the medal ceremony especially emotional.

The experienced duo, both 28 years old and already three-time Olympians, displayed the composure that has defined their careers. Every lift, hybrid movement and synchronization sequence reflected years of refinement, allowing them to separate themselves from the rest of the field through exceptional execution rather than excessive risk.

The sisters’ technical precision has long distinguished them from many rivals, and once again their clean performance proved decisive.

Their victory also represented a measure of redemption in the same venue where they narrowly missed an Olympic medal in 2024, finishing fourth despite being among the pre-competition favorites.

Now, the Olympic Aquatics Centre has become the site of another milestone in their careers—this time accompanied by Greece’s national anthem.

The battle for silver produced one of the day’s strongest performances.

Neutral Athletes Maiia Doroshko and Aleksandra Shmidt compete in the duet free artistic swimming final at the LEN European Aquatics Championships in Saint-Denis, near Paris.
Neutral Athletes Maiia Doroshko and Aleksandra Shmidt compete in the duet free artistic swimming final at the LEN European Aquatics Championships at the Olympic Aquatics Centre in Saint-Denis, near Paris, on Aug. 1, 2026. Photo by Julien de Rosa/AFP/Getty Images

Competing together at a senior European Championships for the first time, Neutral Athletes B’s Maiia Doroshko and Elizaveta Minaeva earned 302.9950 points with an explosive routine performed to Yngwie Malmsteen’s “Rising Force.”

Unlike the elegant classical presentation of the Greek champions, Doroshko and Minaeva embraced a routine built around speed, strength and aggressive choreography.

Their program featured rapid transitions, dynamic acrobatic elements and consistently high energy, demonstrating a contrasting artistic philosophy that nevertheless impressed judges.

Although relatively new as a partnership, both swimmers entered Paris with extensive international credentials.

Doroshko has represented the senior national program since 2019 and collected a world championship bronze medal last year with another duet partner. Minaeva, meanwhile, arrives from one of the most decorated junior careers in European artistic swimming, having accumulated four World Junior titles and 10 European Junior championships before graduating to the senior ranks.

Their silver medal suggests the partnership could become one of Europe’s strongest heading toward future world championships.

Britain's Kate Shortman and Isabelle Thorpe compete in the duet technical artistic swimming final at the LEN European Aquatics Championships in Saint-Denis, near Paris.
Britain’s Kate Shortman and Isabelle Thorpe compete in the duet technical artistic swimming final at the LEN European Aquatics Championships at the Olympic Aquatics Centre in Saint-Denis, near Paris, on July 31, 2026. Photo by Dimitar Dilkoff/AFP/Getty Images

Great Britain’s Kate Shortman and Isabelle Thorpe completed the podium after earning bronze with 297.9108 points.

The British pair returned to the pool where they produced one of the greatest moments in their country’s artistic swimming history by winning Olympic silver in Paris two years earlier.

Their routine to Indila’s “Dernière danse” served as both a competitive program and a tribute to those Olympic memories.

Despite carrying the highest degree of difficulty among all finalists—nearly three points higher than any other duet—the British athletes performed with remarkable composure.

Their reunion has become one of the season’s most compelling stories.

Following the Paris Olympics, Shortman temporarily stepped away from competition to pursue academic studies in France, while Thorpe shifted her focus toward mixed duet events, where she enjoyed considerable international success.

The pair reunited earlier this season and have steadily rebuilt their chemistry, first capturing bronze during the World Cup in Paris before adding another continental medal on Saturday.

France narrowly missed reaching the podium despite enthusiastic support from thousands of spectators.

France's Laelys Alavez and Romane Lunel compete in the duet free artistic swimming final at the LEN European Aquatics Championships in Saint-Denis, near Paris.
France’s Laelys Alavez and Romane Lunel compete in the duet free artistic swimming final at the LEN European Aquatics Championships at the Olympic Aquatics Centre in Saint-Denis, near Paris, on Aug. 1, 2026. Photo by Julien de Rosa/AFP/Getty Images

Romane Lunel and Laelys Alavez finished fourth after presenting their emotionally driven “The Heart” routine, scoring 294.6549.

The French pair had entered the championships with momentum after winning World Cup gold in Pontevedra earlier this year, but ultimately fell just short of overtaking the medal contenders.

Italy's Enrica Piccoli and Lucrezia Ruggiero compete in the duet free artistic swimming final at the LEN European Aquatics Championships in Saint-Denis, near Paris.
Italy’s Enrica Piccoli and Lucrezia Ruggiero compete in the duet free artistic swimming final at the LEN European Aquatics Championships at the Olympic Aquatics Centre in Saint-Denis, near Paris, on Aug. 1, 2026. Photo by Sébastien Bozon/AFP/Getty Images

Italy’s experienced combination of Enrica Piccoli and Lucrezia Ruggiero placed fifth with their recently introduced technical routine “Gratia Plena.”

Both athletes remain among Europe’s leading duet specialists after winning the European free duet title and world silver medal in recent seasons, making them strong contenders in the upcoming free competition.

Perhaps the day’s biggest disappointment belonged to Spain.

Spain's Lilou Lluís Valette and Iris Tió Casas compete in the women's duet free artistic swimming event at the European Aquatics Championships in Paris.
Spain’s Lilou Lluís Valette and Iris Tió Casas compete in the women’s duet free artistic swimming event during the European Aquatics Championships at the Olympic Aquatics Centre in Paris on July 31, 2026. Photo by Daniel Derajinski/Icon Sport/Getty Images

Reigning world champions Lilou Lluis Valette and Iris Tio Casas had dominated the morning’s duet free preliminary and entered the technical final among the gold-medal favorites.

However, an error in the opening hybrid element dramatically altered their prospects.

The costly mistake received a basemark evaluation, immediately placing the Spanish duo at a significant disadvantage from which they never recovered.

They eventually finished eighth, well outside medal contention despite possessing one of the strongest routines in the competition.

While the women’s duet final showcased Europe’s established powers, the men’s solo technical competition demonstrated the continued rise of one of artistic swimming’s fastest-growing disciplines.

Britain's Ranjuo Tomblin poses with his gold medal after winning the men's solo technical artistic swimming event at the European Aquatics Championships in Saint-Denis, France.
Britain’s Ranjuo Tomblin, the European champion in men’s solo technical artistic swimming, poses with his gold medal on the opening day of the European Aquatics Championships at the Olympic Aquatics Centre in Saint-Denis, France, on July 31, 2026. Photo by Benjamin Vodant/AFP/Getty Images

Great Britain’s Ranjuo Tomblin successfully defended his European title with a commanding performance that earned 249.3951 points.

Performing to George Michael’s classic “Careless Whisper,” the 20-year-old combined ambitious technical content with improved artistic interpretation, reflecting months of refinement since his previous international appearance.

Tomblin entered the final carrying the highest degree of difficulty in the field—38.00—more than four points above his closest rival.

The strategy represented a calculated gamble.

Higher technical difficulty increases scoring potential but also leaves little margin for execution errors.

Tomblin delivered exactly the performance required, completing the routine cleanly and securing back-to-back European titles.

His victory continued a remarkable 2026 campaign.

Throughout this year’s World Cup circuit, the British swimmer has collected 17 medals, including multiple victories in the men’s solo technical discipline, establishing himself as one of the sport’s dominant performers.

Italy's Filippo Pelati competes in the men's artistic swimming event at the European Aquatics Championships in Paris.
Italy’s Filippo Pelati competes in the men’s artistic swimming event during the opening day of the European Aquatics Championships at the Olympic Aquatics Centre in Paris on July 31, 2026. Photo by Daniel Derajinski/Icon Sport/Getty Images

Italy’s Filippo Pelati once again demonstrated his growing reputation by capturing silver with 241.7008 points.

Only 19 years old, Pelati transformed himself into legendary Queen frontman Freddie Mercury, performing to “Radio Ga Ga” after extensively studying the singer’s famous concert performances to recreate his distinctive stage presence.

His energetic interpretation blended theatrical performance with demanding technical execution, earning widespread praise from judges.

Neutral Athlete Zakhar Trofimov competes in the men's solo technical artistic swimming final at the LEN European Aquatics Championships in Saint-Denis, near Paris.
Neutral Athlete Zakhar Trofimov competes in the men’s solo technical artistic swimming final at the LEN European Aquatics Championships at the Olympic Aquatics Centre in Saint-Denis, near Paris, on July 31, 2026. Photo by Dimitar Dilkoff/AFP/Getty Images

Bronze went to Zakhar Trofimov, competing as Neutral Athlete B, who marked his senior European Championships debut with an impressive score of 235.7858.

The reigning European junior champion presented a routine inspired by The Doors’ “Break On Through (To the Other Side),” drawing artistic inspiration from Jim Morrison after encouragement from his coach.

Spain’s Dennis Gonzalez Boneu narrowly missed the podium in fourth place after returning from shoulder surgery that significantly disrupted his preparation earlier this year.

Spain's Dennis González Boneu competes in the men's solo technical artistic swimming final at the LEN European Aquatics Championships in Saint-Denis, near Paris.
Spain’s Dennis González Boneu competes in the men’s solo technical artistic swimming final at the LEN European Aquatics Championships at the Olympic Aquatics Centre in Saint-Denis, near Paris, on July 31, 2026. Photo by Dimitar Dilkoff/AFP/Getty Images

Despite the setback, his performance represented an encouraging return for one of Europe’s leading male artistic swimmers.

Earlier in the day, the duet free preliminary established the field for Sunday’s medal contest.

Spain's Lilou Lluís Valette and Iris Tió Casas compete in the duet technical artistic swimming final at the LEN European Aquatics Championships in Saint-Denis, near Paris.
Spain’s Lilou Lluís Valette and Iris Tió Casas compete in the duet technical artistic swimming final at the LEN European Aquatics Championships at the Olympic Aquatics Centre in Saint-Denis, near Paris, on July 31, 2026. Photo by Sébastien Bozon/AFP/Getty Images

Spain recovered from its technical disappointment by leading qualification through reigning world champions Lilou Lluis Valette and Iris Tio Casas, whose “Essence of Femininity” routine received 316.3850 points.

They will headline a highly competitive final featuring Greece, Neutral Athletes B, Italy, France, Germany, Neutral Athletes A, Georgia, Switzerland, Great Britain, Israel and Ukraine.

With two gold medals already awarded, attention now shifts to another packed day of competition.

Sunday’s program begins with the women’s solo free preliminary before concluding with two more medal events—the mixed duet free final and the women’s duet free final—where many of Saturday’s leading performers will return in pursuit of additional European titles.

The opening day demonstrated that artistic swimming in Europe continues to evolve through an increasingly diverse blend of technical sophistication, creative choreography and rising competitive depth. Established champions successfully defended their positions, emerging partnerships announced themselves as genuine contenders, and a new championship began with performances that reaffirmed Europe’s place at the forefront of the sport.

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Israel strikes Gaza hospital warehouses as ceasefire uncertainty persists

Displaced Palestinians inspect damage after an Israeli airstrike hit a medical supplies warehouse near Al-Aqsa Martyrs Hospital in Deir al-Balah, central Gaza Strip.
Displaced Palestinians inspect the damage after an Israeli airstrike struck a medical supplies and pharmaceuticals warehouse near Al-Aqsa Martyrs Hospital in Deir al-Balah, central Gaza Strip, on Aug. 1, 2026. Photo by Majdi Fathi/Nur/Getty Images

Israeli military strikes killed at least two Palestinians and severely damaged medical supply facilities at a major hospital in the Gaza Strip on Saturday, intensifying humanitarian concerns despite renewed diplomatic efforts aimed at ending nearly two years of war. The attacks came less than 24 hours after Hamas announced it had accepted a proposed agreement that would include the transfer of its weapons and a phased Israeli military withdrawal from Gaza, though Israeli officials have yet to publicly endorse the framework.

The latest violence underscored the fragile reality on the ground, where military operations continue even as indirect negotiations over a potential ceasefire gather momentum. Israeli officials have indicated that any lasting agreement would depend on Hamas undergoing what they describe as genuine disarmament, signaling that significant differences remain before any comprehensive deal can be finalized.

Health officials in Gaza said one person was killed in a drone strike in the Sheikh Radwan neighborhood of Gaza City early Saturday. Al-Shifa Hospital received the victim along with several wounded civilians, according to medical authorities.

The Israeli military acknowledged carrying out a strike in the area, saying it had targeted what it described as a Hamas operative. Military officials said they were still reviewing the results of the operation and did not immediately comment on civilian casualties reported by Palestinian authorities.

A separate Israeli drone strike in Deir al-Balah, in central Gaza, killed another person and wounded several others, according to Al-Aqsa Hospital. Israeli forces similarly said the target was a Hamas military operative operating in the area.

Beyond the casualties, one of the most significant incidents overnight involved Al-Aqsa Hospital itself. Gaza’s Civil Defense agency reported that an Israeli strike caused extensive destruction to storage facilities used for medicines and medical equipment, raising concerns about the territory’s already strained healthcare system.

The Palestinian Health Ministry accused Israeli forces of destroying two of the hospital’s four medical warehouses while heavily damaging the remaining facilities. Officials said an adjacent outpatient clinic also sustained substantial structural damage.

According to the ministry, the attack resulted in the destruction or loss of critical medical supplies intended for treating wounded civilians and patients suffering from chronic illnesses. The ministry warned that the damage would further weaken Gaza’s healthcare capacity at a time when hospitals continue to face shortages of medicine, fuel and essential equipment.

Images from the hospital complex showed a large crater carved into the ground near the storage buildings, with scattered boxes of medical supplies strewn across the site. Residents and hospital workers sifted through the debris in an effort to salvage whatever equipment remained usable.

Among those caught in the attack was 33-year-old Jaber Abed, who said his family had been sheltering in tents beside the hospital before fleeing as explosions erupted before sunrise.

Abed expressed hope that negotiations could finally produce a permanent end to the conflict but remained skeptical that any agreement would be fully implemented without sustained international pressure, particularly from the United States.

Diplomatic uncertainty continued to overshadow developments on the battlefield. Hamas political bureau member Bassem Naim said responsibility now rested with Israel to respond to the proposed ceasefire arrangement, urging international mediators to pressure Israel to halt what he described as repeated violations.

Israeli authorities have not formally responded to Hamas’ announcement that it had accepted the proposed framework. However, political sources have indicated that Israel rejects any suggestion of withdrawing its forces without concrete guarantees that Hamas will surrender its military capabilities.

The differing public positions illustrate the central obstacle that has repeatedly stalled negotiations. While Hamas has indicated a willingness to discuss political arrangements, Israel continues to insist that eliminating Hamas’ military infrastructure remains a non-negotiable condition for ending the conflict.

Although a ceasefire declared in October significantly reduced the intensity of fighting, Israeli military operations have continued across Gaza. Israel maintains that its strikes target militants planning or carrying out attacks, while Palestinian officials and humanitarian organizations say civilians and civilian infrastructure continue to bear a devastating toll.

The continued strikes on medical facilities have renewed concerns among humanitarian organizations about the condition of Gaza’s healthcare network, much of which has been damaged during months of conflict. Repeated attacks, shortages of medicine and equipment, and limited access to humanitarian aid have left hospitals struggling to provide essential treatment for thousands of wounded civilians.

As mediators continue efforts to bridge the remaining gaps between the two sides, Saturday’s violence highlighted how fragile prospects for a lasting ceasefire remain. With military operations continuing alongside diplomatic negotiations, civilians across Gaza remain caught between hopes for an end to the war and the reality of ongoing airstrikes, humanitarian hardship and deep political mistrust.

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